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What Wittgenstein’s Duck/Rabbit has to do with theatrical duality

On the recommendation of my colleague Grahame Renyk, I finally got around to reading “Infiction and Outfiction: The Role of Fiction in Theatrical Performance” by David Z. Saltz. (Full citation […]

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The Polonius Test

To evaluate the authenticity of your business offering, James Gilmore and B. Joseph Pine, authors of Authenticity: What Consumers Really Want  (mentioned in the previous post), suggest taking the...

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Is theatre real?

I finally got my hands on a copy of Authenticity: Brands, Fakes, Spin and the Lust for Real Life by David Boyle from Robarts Library through interlibrary loan. (Thank you […]

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Applying Cognitive Science to Performance part 3

Some cognitive image schemas originate in sensory experience in the world. An example of a sensorimotor inflected schema is simple verticality. As humans, we are creatures with a definite up […]

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McDonald’s Canadian Olympic Ad

OK. I wasn’t planning on posting a blog today but… I am working on a summary of this research project for the SSHRC Insight Grant. (The Notice of Intent is […]

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Documentary theatre then and now

It would be impossible to discuss reality-based theatre in Canada (what I am starting to call “documentary theatre”) without acknowledging the scholarship of Alan Filewod. His 1987 book Collective...

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6 Questions to ask a piece of “real” theatre

… (seems unfair to call it a “play”…) 1. How do I (as an audience member) understand the real elements as real? What scenographic cues am I given to counteract […]

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What we already knew about the invisible gorilla

From the inception of this project about Theatre of the Real, it has been clear to me that audience perception/experience is central to this phenomenon. Of course, the perception by […]

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The Uncanny and the Real

In her book Culture and the Real, Catherine Belsey suggests that the source of uncanny unease in horror films is the incursion of patently non-real/supernatural objects into the real world. […]

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Where is real?

As part of an opening exercise in a recent dramatic theory class, my students were asked to respond with coloured Sharpies to a variety of prompts scattered on chart paper […]

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